PETRA MUELLER
On technology
Nov 2024 Me to You, You to Me - Our Encounter through Printmaking, curated by Se-Eun An , Space Sophora, Séoul, Korea. Sponsors: Korean Ministry of Culture, Sports and Tourism, and Korean Foundation for International Cultural Exchange
— symposium on the future of printmaking
Rain, 100$ Reward
2023/2024 The iRave Pavillion for the Wrong Biennale. Curators Andres Manniste, Joyce Yahouda, Laurent Bouchard.
Conversation with Marcel Broodthaers, in a Q& A with the interview from the Catalogue/Catalogus exhibition 10,00 Francs Reward at the Palais de Beaux-Arts, Brussels, 1974.
On technology
MH: What do you have to say about that, Dennis?
JFL: What does “why” mean? by Octavian Esanu, J&L Books, 2005. p. 185
PM: NYC spring 2024
Experimental Cinema. Documentation carte blanche. (2021 - ongoing)
Photos of experimental film filmmakers at their screening events, for la lumière collective and Visions Mtl.
Machines that talk and send alerts. A 3-D radio multi-space performance; and one true fan (April 2021). Anteism Project Space, Montréal.
“Made possible with the support of the Canada Council of Arts' Digital Strategies Program, Anteism will be making webcasting resources available to artists, groups, organizations, and institutions who operate on a smaller scale, in order to bring their otherwise displaced programming into the public sphere.
Libération (MTTSA3-DRBSMPPGS1TF online). Livestream broadcast and Q & A. Anteism Project Space. Montréal. (Ju
Spectral machine talk/what/ how/ who:: live broadcast and discussion seeded from an art questionnaire in ESP Cultural MagaziAne 2: The Glitch In The Art System — do differences between offline and online experience of art still exist — and are questions like this even relevant nowadays.
Archived on the Anteism live stream channel.
Film swap. Collaboration, with the Mexico City photographer Christian Dallan.
Published in モノマニア LOVE (2021)
“Swapping films with strangers may be the last thing you'd have in mind, especially with transit problems, but here we are.”
Publisher/photo editor/forward written by Anne Murayama. Tokyo, Japan.
A new economy of art? Photograph and editorial text (2017)
Babysteps to something new.
InFlux, Journal of Media Art, published by MediaNet, Victoria, B.C.
